Selected Press on Work

Joanna Roche, “Paul Donald” CB1 Gallery, Artillery (February 3, 2016); artillerymag.com/paul-donald/.

“Continued and Recommended,” Artscene online (February 2016); http://artscenecal.com/articles/992-continued-and-recommended-february-2016.

Kathy Leonardo, “…A Busy Saturday for Art in LA,” Huffington Post (January 8, 2016); republished in NZEdge.com, “Paul Donald’s Solo Endymion Project opens in LA,” http://www.nzedge.com/news/paul-donalds-solo-endymion-project-opens-la/

Jane Chin Davidson, “Endymion in Hollywood,” 2016; extended article on Endymion Project, CB1 Gallery, Los Angeles. Unpublished.

Alpesh Kantilal Patel, editor, “CauseWay” online catalogue, MBUS Gallery (Florida International University), issuu, 2015

https://issuu.com/kelleyanton/docs/pauldonald

Amelia Jones, “To Perform; Performativity; Performance and the Politics of the Material Trace,” Perform; How to Do Things with(out) Words Catalogue, ed. Chantal Pontbriand (Centro de Arte Dos de Mayo Comunidad de Madrid, Sternberg Press, 2013), pages 77 – 85, images page 76.

Amelia Jones, Chapter five, “Queer Feminist Durationality: Time and Materiality as a Means of Resisting Spatial Objectification,” Seeing Differently: A History and Theory of Identification in the Visual Arts (New York and London: Routledge Press, 2012), pages 170-217.

Sharne Wolff, Confidence, excitement, trepidation, annoyance and boredom (December 2, 2011), http://theartlife.com.au/?p=5824.

David Cross, “Forcing Performance into the Exhibition Format,” review of Nothing Like Performance group show at Artspace, Sydney; EyeContact (3 December 2011), http://eyecontactsite.com/2011/12/finessing-performance-into-the-exhibition-format.

Tracey Harnish, “Roundup of the Best Shows in LA,” LA Art Diary (3 December 2011), http://www.laartdiary.com/2011/12/paul-donald.html.

Jonathan Katz, “Modest Proposals: Paul Donald’s Subversion of the Grand Gesture,”

X-Tra 2, n. 3 (Spring 2009), 56-69.

https://www.x-traonline.org/article/modest-proposals-paul-donalds-subversion-of-the-grand-gesture

Gary Michael Dault, Visual Arts Review, The Globe and Mail (Toronto; May 31 2008), page R13.

Valerie Kabov, Review (December 2007), www.renaissanceaic.com.au.

Felix Ratcliff, Review (July 2007), www.theprogram.net.au.

Valerie Kabov, Review (May 2007), www.renaissanceaic.com.au.

Tempe McGowan, "Paul Donald,” reviews, Sculpture (April 2006), page 77.

Tracey Clement, "Critics picks,” Sydney Morning Herald (March 4, 2005), page 31.
Lenny-Ann Low, "Open Gallery,” Sydney Morning Herald (April 9, 2005), page 29.

James Steele, "matter of facts,” catalogue, MOP projects (Sydney), 2005.

Jess McNeil, "Two for One,” catalogue, MOP projects (Sydney), 2004.
Dominique Angeloro, "Play time,” Sydney Morning Herald (November 12, 2004), page 26.
Lenny-Ann Low, "Saddle saw", SMH, October 12 2002